• WORK
    • CLUB ORIGAMI
    • SPRING CHILD
    • FIELD OF DREAMS
    • BETWEEN OCEANS
    • GHOSTS BETWEEN STREAMS
    • HOLDING LIGHTNESS
    • PERIPHERIES
    • SHADOW
  • DANCE
  • GALLERY
  • TEACHING
  • EXHIBITIONS
    • Ōranges and other offerings
    • About Ōranges and other offerings
  • CURATORIAL
    • Holding Patterns
    • Truc Truong: hai con lân việt kiều
    • Acute Actions: Responses to I Am Not A Virus
    • Azadeh Hamzeii
    • Dorcas Tang: Love Me Long Time
    • Bush Diwan
  • PERFORMANCE
  • COLLABORATIONS
    • PALETTE SESSION AUSTRALIA
    • DELAY 45
    • DILATE
    • SOUNDLINE
    • TRANSIENCE
    • SURGE DANCE CO.
  • PUBLICATIONS
  • PHOTOGRAPHS
    • between oceans
    • La Petit Mort (The Little Death)
    • Flesh (series)
    • Black Water
    • 1:1 Project
  • About
  • CV
  • PhD Research
  • Bodies of Transmission
  • Facebook
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  • Menu

Reina Takeuchi

I acknowledge the traditional custodians of the land upon which I live and work, and pay respects to all First Nations Elders past, present and emerging.
  • WORK
    • CLUB ORIGAMI
    • SPRING CHILD
    • FIELD OF DREAMS
    • BETWEEN OCEANS
    • GHOSTS BETWEEN STREAMS
    • HOLDING LIGHTNESS
    • PERIPHERIES
    • SHADOW
  • DANCE
  • GALLERY
  • TEACHING
  • EXHIBITIONS
    • Ōranges and other offerings
    • About Ōranges and other offerings
  • CURATORIAL
    • Holding Patterns
    • Truc Truong: hai con lân việt kiều
    • Acute Actions: Responses to I Am Not A Virus
    • Azadeh Hamzeii
    • Dorcas Tang: Love Me Long Time
    • Bush Diwan
  • PERFORMANCE
  • COLLABORATIONS
    • PALETTE SESSION AUSTRALIA
    • DELAY 45
    • DILATE
    • SOUNDLINE
    • TRANSIENCE
    • SURGE DANCE CO.
  • PUBLICATIONS
  • PHOTOGRAPHS
    • between oceans
    • La Petit Mort (The Little Death)
    • Flesh (series)
    • Black Water
    • 1:1 Project
  • About
  • CV
  • PhD Research
  • Bodies of Transmission
  • Facebook
  • Instagram

Field of Dreams, 2020-2023, two channel video, 8.10 minutes, graphite pencil, photographic print. Made in collaboration with Yukifumi Takeuchi. Soundscore by Jackson Garcia. Courtesy the artist.

Filmed in Tokyo, Border Ranges National Park on Githabul land and the Bundanon Trust, on Dharawal and Dhurga land. The Bundanon Trust footage filmed by Regis Lansac.

Field of Dreams

July 13, 2023

Field of Dreams is an ongoing body of work with my father which I began developing in 2022. I have been documenting his experience in his eco-farm in Tokyo, which he calls his Field of dreams. The footage and audio recordings thus far document the dynamics of our relationship, the impacts on personal wellbeing post-Covid as well as the themes of local versus global ecology. This body of work has been so far, for me, a space to recollect memories and an ode to how familial love can potentially extend across boundaries.

While in Japan, the first time post-Covid, I recorded a conversation with my Dad. Our conversation focused on his wellbeing post-Covid and the evolution of his eco-farm.

Here is a link to the recording of our conversation

This is a link to the first experiment of Field of Dreams which became part of a two-channel video

After my trip to Tokyo in 2022, I went on a body weather intensive in Border Ranges National Park on Githabul land. I developed an improvisatory in-situ performance while there and some of the footage of this performance became part of the two-channel video I developed for my Outer Space solo exhibition in Meanjin/Brisbane

Here is a link to documentation of this in-situ performance in Border Ranges National Park

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Reina Takeuchi

I’m an Australian-Japanese visual artist, dance maker, curator-researcher and facilitator.

This blog follows the development of research projects including my Master of Philosophy project Bodies of Transmission and my most recent ventures into PhD. It collates ideas, links, images, videos and scrawls that relate back to my practice-led research on the interplay between choreography, visual arts and transcultural experience.