Performance re-enactment of Shadow (2022) by Reina Takeuchi and Lucia Tường Vy Nguyễn for RE- at SomoS Arts, Berlin, curated by Nicole Beck.
Performance re-enactment of Shadow (2022) by Reina Takeuchi and Lucia Tường Vy Nguyễn for RE- at SomoS Arts, Berlin, curated by Nicole Beck.
Transience, created by artists Glen Manning and Kathy Daly, is a short-film of their signature etchings on the sand of our spectacular Sunshine Coast Beaches, exploring our connection with the marine and coastal landscapes through the synergy of art and movement.
Thematically, the work is a response to both Covid-19 and climate change; the virus resulting in wide-spread community focus on microscopic organisms, and an acknowledgement that we are experiencing a rapid period of global climate change.
Massive ephemeral drawings of microscopic phytoplankton will be inscribed on the sand by artists Glen and Kathy and augmented by a solo performer, Reina Takeuchi, allowing the viewer to enter an unseen world of interconnected ecosystems.
Captured by local filmmakers and storytellers, Pluggas, this beautiful short film will showcase this ephemeral, multidisciplinary artwork, allowing us to see the sand inscriptions unfold and then be swept away by the incoming tides at First Bay in Coolum.
Infinite Recollections. 2018. Performance installation: contact microphones, echo pedals, guitar amplifier, mirrors, water, wood. 2400 x 1200 x 1200 mm.
Technical support: Wayne van Wijk
Sound technical support: James Dwyer
Performers: Reina Takeuchi and Chiu-Ju (Jill) Wang
Sydney Dance Company's Pre-Professional Year 2019 (PPY) dancers perform in 'On the Edge', a film by acclaimed Australian choreographer and filmmaker Sue Healey.
Infinite Recollections. 2018. Performance installation: contact microphones, echo pedals, guitar amplifier, mirrors, water, wood. 2400 x 1200 x 1200 mm.
Technical support: Wayne van Wijk
Sound technical support: James Dwyer
Performers: Reina Takeuchi and Chiu-Ju (Jill) Wang
Klangschlange (Soundline) (2018), a performative live-audience interactive installation, created in partnership with the Queensland University of Technology Futurelab Academy for the prestigious Ars Electronica Festival 2018 in Linz, Austria.
Tōsō performed in 2017. Choreographed by Jess Coupe. Performed by Luacy Vieira-Silva and Reina Takeuchi.
Performance presented in Radiate, a showcase of works from QUT’s Dance and Technology students.
Photograph by Itamar Freed
Plastic Belly (2018/2019) choreographed by Courtney Scheu in collaboration with Itamar Freed
@_WHY (2017/2018) choreographed by Surge Dance Collective.
After completing a three week residency through THE indepenDANCE PROJECT, the collective performed their latest development of the work entitled @_WHY at a sold out show in Supercell Contemporary Dance Festival 2018.
Quantum Entanglement (2018/2019) choreographed by Lauren Sherlock
Insig van ń Buitestander by Leane Ungerer.
Performed in Phluxus2 Dance Collective’s THE indepenDANCE PROJECT 2017.
Self-choreographed performance. Performed at 43 Adelaide Street in 'Behind the Red Door', as a part of Anywhere Theatre Festival.
Another Dance Company's 'Behind the Red Door' (2017) was an award winner within the Anywhere Theatre Festival.