• WORK
    • SPRING CHILD
    • FIELD OF DREAMS
    • BETWEEN OCEANS
    • GHOSTS BETWEEN STREAMS
    • HOLDING LIGHTNESS
    • PERIPHERIES
    • SHADOW
  • DANCE
  • GALLERY
  • TEACHING
  • EXHIBITIONS
    • Ōranges and other offerings
    • About Ōranges and other offerings
  • CURATORIAL
    • Holding Patterns
    • Truc Truong: hai con lân việt kiều
    • Acute Actions: Responses to I Am Not A Virus
    • Azadeh Hamzeii
    • Dorcas Tang: Love Me Long Time
    • Bush Diwan
  • PERFORMANCE
  • COLLABORATIONS
    • PALETTE SESSION AUSTRALIA
    • DELAY 45
    • DILATE
    • SOUNDLINE
    • TRANSIENCE
    • SURGE DANCE CO.
  • PUBLICATIONS
  • PHOTOGRAPHS
    • between oceans
    • La Petit Mort (The Little Death)
    • Flesh (series)
    • Black Water
    • 1:1 Project
  • About
  • CV
  • PhD Research
  • Bodies of Transmission
  • Facebook
  • Instagram
  • Menu

Reina Takeuchi

I acknowledge the traditional custodians of the land upon which I live and work, and pay respects to all First Nations Elders past, present and emerging.
  • WORK
    • SPRING CHILD
    • FIELD OF DREAMS
    • BETWEEN OCEANS
    • GHOSTS BETWEEN STREAMS
    • HOLDING LIGHTNESS
    • PERIPHERIES
    • SHADOW
  • DANCE
  • GALLERY
  • TEACHING
  • EXHIBITIONS
    • Ōranges and other offerings
    • About Ōranges and other offerings
  • CURATORIAL
    • Holding Patterns
    • Truc Truong: hai con lân việt kiều
    • Acute Actions: Responses to I Am Not A Virus
    • Azadeh Hamzeii
    • Dorcas Tang: Love Me Long Time
    • Bush Diwan
  • PERFORMANCE
  • COLLABORATIONS
    • PALETTE SESSION AUSTRALIA
    • DELAY 45
    • DILATE
    • SOUNDLINE
    • TRANSIENCE
    • SURGE DANCE CO.
  • PUBLICATIONS
  • PHOTOGRAPHS
    • between oceans
    • La Petit Mort (The Little Death)
    • Flesh (series)
    • Black Water
    • 1:1 Project
  • About
  • CV
  • PhD Research
  • Bodies of Transmission
  • Facebook
  • Instagram
Development from considering collisions. What does it mean to collide? What emerges? What residue or remnants are left behind?

Development from considering collisions. What does it mean to collide? What emerges? What residue or remnants are left behind?

Development of research question

November 17, 2019
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Reina Takeuchi

I’m an Australian-Japanese visual artist, dance maker, curator-researcher and facilitator.

This blog follows the development of research projects including my Master of Philosophy project Bodies of Transmission and my most recent ventures into PhD. It collates ideas, links, images, videos and scrawls that relate back to my practice-led research on the interplay between choreography, visual arts and transcultural experience.